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Showing posts with label macarons. Show all posts
Showing posts with label macarons. Show all posts

Monday, September 30, 2013

What If You Never Planned to Be in the Business?


Interview with Francois Godineau
La Duchesse Anne Patisserie
Saumur, France


With Kathryn Gordon and Jessie Riley

Editor’s Note:  the location for La Duchesse Anne has been a patisserie since 1842, and became known as La Duchesse Anne in the 1900’s.  Francois Godineau was raised above the pastry shop as a child, but never wanted to follow in his father’s footsteps as a baker, and left his hometown of Saumur to go into banking.  Chef Kathryn met the Godineau family in 1999, and has been taking groups through ICE to take pastry classes at la Duchesse Anne ever since (www.loirevalleycooking.com).


Jessie:  Hi Francois!  It’s been about 3 years since you took over the bakery after your father Chef Godineau retired.  Can you tell us about that transition?

Francois:  At first, my father tried to sell the business, but the worldwide recession had just hit.  Then he tried to work out a deal for the employees to buy it as a cooperative, but the financing didn’t come together.  But in the end, I left banking and bought him out. 

                      2013 ICE Cuisine Course in France Pastry Class at La Duchesse Anne

Jessie:  A lot of the front of the house (counter staff) seem new, but most of the cooks and chefs in the kitchen seem to be familiar.   Have you had a lot of staff turnover?

Francois:  It was harder to transition with the front of the house than the kitchen.  I promoted one of the sous chefs to the executive pastry chef and he (Chef Florian) got everyone in line.  My mother used to run the shop, but now she runs our second shop in Clisson (where she and my father moved after he retired; my brother assists in Clisson).  Now my wife Celine Petit runs this shop.  We brought in new people because the ones who were there originally were too used to doing what they wanted to do.   

In Saumur, I have 7 employees in the kitchen, 3 students, and 4 employees; in the shop we have 6 including 2 students and 4 full time employees. 

Jessie:  What changes have you implemented?

Francois:  One of my best ideas I think is the 9.50 Euro lunch I introduced last year.  It includes your choice of drink, choice of lunch item and dessert.  And it’s a great way for townspeople to try more of our pastries and it gets them in here. Often they think to buy a cake to take home, and our overall sales increase.

Jessie:  Most of the pastries in the case seem to be the same type as when I worked here with your father and his staff (Easter season 3 years ago).  But I see you have introduced some new ones.

                                Traditional French Wedding Cake:  the Croquembouche

Francois:  I don’t touch the items that were my father’s signature desserts.  However, I think today’s market demands some with less sugar.  So I have created a new line with more subtle flavors, less sugar, and general “lightness” than the petits gateaux and larger gateaux that are my father’s signature items.

The younger market definitely likes more varied fruits, I find.  The older clientele like particularly strong flavors, such as cassis (blackcurrant).  But the cakes I have introduced with less acidic flavors such as raspberries, strawberries and cherries sell very well.

Kathryn:  How many recipes have you modified that were your fathers?

Francois:  I work with the guys to determine what we think could be better, and then we do some R&D until we get the product exactly where we want it.  For example, the croissant dough was a bit hard to work with.  We wanted it to be a bit flakier, as well.  We’ve now added in some powdered milk, decreased the water and mix it on different speeds than my father did.

                                                         Grapefruit-Strawberry Entremet

Kathryn:  Can you describe your process for introducing a new product?

Francois:  Well, it’s a good think we have the shop women in the front of the house.  They keep us in line!  The guys in the back and I think of too many “creative” items that would never sell.  So first we give samples to our front line people – if they say it will sell, we implement it into production.  If they don’t like what they taste, we go back to the drawing board. 

Some of our ideas from the kitchen are probably too sophisticated for the customer base in this town.  Then they offer free samples in our Salon du The, and hopefully the items then start to move.  For example, we introduced a sesame chocolate bon bon that is more contemporary, passed the taste tests and now sells very well.
       
                                  La Duchesse Anne depositor for macarons and other cookies

Kathryn:  You have a full line of products here, including ice creams and macarons.  How do you get your new ideas?

Francois:  Once or twice a year my chef (Florian) and I travel up to Paris and investigate what the competition is up to.  We are always tasting!  Here and everywhere else.

                                                            Duchesse Anne viennoisserie

Kathryn:  Francois, what’s the biggest lesson you’ve learned since taking over this business from your father?

Francois:  I learned that I have to have responsibility for the whole company, and to do that I had to put my heart into it.   Although it might not have been what I envisioned for my life, I now enjoy it very much.

Jessie:  What’s next for La Duchesse Anne?

Francois:  We’re redoing our website with all new photography.  And I’d like to open more shops!

                                                          Duchesse Anne in history

Sunday, April 7, 2013

Entrepreneurship: Never Wanting to Work for Another


Interview with Esty Hirsch
Whimsical Confections - Your Imagination. Our Creation.

With Kathryn Gordon and Jessie Riley



Jessie:  How did you learn to bake?

Esty:   Like many others, who started baking as a child, I loved to watch my mom bake as I was growing up. My mother was into baking and also liked to try new ideas and designs,  My siblings loved to practice on the Wilton Practice board while I, the youngest tried to mimic the shells and scrolls. I also felt I was born with the gift of being artistically talented.  Play dough was one of the things I loved to create food items with starting at a really young age.

At about the age of 10, I was looking through one of the Woman's World magazines, and was astounded to see a featured backgammon or checkers game made out of cake! That photo really inspired me and I had to try to recreate that edible art piece on my own.

As the years went by one of my favorite places to shop was the NY Cake and Art supply store, and so the collection of baking supplies started growing, and I loved experimenting on new recipes and new ideas.

Kathryn:  I first met you when you took some classes at ICE. Do you take a lot of classes?

Esty:  I am always on the look out to learning new techniques or at least trying to create some on my own. I think people always look for something new or something that has never been seen.  Hands-on cookie decorating classes for birthdays, bridal showers, etc. are also always helpful in keeping updated with the latest trends. We now teach our own classes. We bake the dough, bring the icing, and I teach people how to decorate their own cookies.


Jessie:  How did you decide to start your own business?

Esty:  I always wanted to run my own business, never wanting to work for another soul. It started out with selling to friends and family. I think that is a good thing, because it took a while to gain professionalism in a lot of different aspects and this was a good trial and error period for me.  I also started offering hands on baking classes and that has been a hit ever since, and for all age groups.

Kathryn:  Knowing that you are Kosher, has it been a challenge, not being able to taste foods prepared in classes at culinary schools you have attended?

Esty:  I did not really find the non-kosher pastry classes being a challenge (aside for being able to taste). I mostly knew how to recreate the recipes in a kosher version and the chefs were very helpful if I had a question regarding substitution of ingredients.

I think if I would have taken on the culinary challenge, versus artistic baking, then it would be much greater of a challenge do to the many diversified ingredients used as opposed to pastry where mostly neutral ingredients like eggs, flour and sugar etc. are used.


Jessie:  From a baking perspective, to make everything parve (non-dairy) – how difficult has that been?

Esty:  At first some of the substitutions were difficult because I did find that by using other ingredients the batters or specific cupcakes did not at first come out as moist or tasty, and it did take a while of experimenting.  There are plenty of kosher bakeries, but I would not really think of contacting them for help because my bakery is a very specialty type bakery as opposed to the regular kosher bakeries who mostly produce items in bulk and I assume don’t produce a lot of products from scratch.

Kathryn:  Can you tell us about your Rabbinical Certification?

Esty: The Rabbinical supervision was difficult to obtain because there are so many kosher supervisions out there, and most communities tend to rely on their local Rabbinical supervision unless it is a well known supervision that many communities rely on So making a decision was difficult but we did land on the right decision and we comply with all of the kosher standard rules that are required.

Jessie:  How do you market your business? 

Esty:  We don’t spend a lot on print advertising, and mostly drive new sales via the web, word of mouth and Facebook.

Facebook is all inclusive: great word of mouth/web advertizing.  A big percentage of our clients are repeat customers, especially when it comes to a personal occasion like a birthday party or a specific holiday where we know to expect calls from these repeat clients.


See Whimisical Confections, Brooklyn page on Facebook

Kathryn:  Do you deliver?  I imagine the cookies are easier than the cupcakes, whoopie pies, etc.

Esty:  I ship, or the clients have an option of picking up the order or we deliver for a minimal fee.

Jessie:  What’s new or trending for Whimsical Confections now?

Esty:  There are always new trends. One year it was stacked custom wedding cookies, now it’s the Chevron design on the custom cookies and the trend of adding bling to the very tasty French macaron.


Jessie:  Have you experienced demand for other gluten free decorated cookies (besides French macarons)?

Esty:  Regarding allergy related baked goods, we know there are many people looking for the specific gluten free product, but because we are so small we are mostly trying to keep up with latest trend requests and of course make everything from scratch using the most pure, natural and local ingredients available.

Kathryn:  What’s next for you and your staff?

Esty: I have been trying to determine if I want to focus more on teaching classes and have my staff decorate cookies.  Cookie sales are somewhat cyclical given holidays, etc.  I am also looking to understand my food costs better and optimize our kitchen design, and when we get a chance given the cookie demand, to do a bit of remodeling.  We have outgrown our current freezer and refrigeration space, and need to reorganize.  I am also trying to redo our website, but I keep getting too busy!


Tuesday, April 2, 2013

Interview with Miriam Rieder of Taste by Spellbound – Dessert Studio



Interview with Miriam Rieder
Taste by Spellbound – Dessert Studio
Avon, CT


By Kathryn Gordon and Jessie Riley 



Kathryn:   Hi Miriam!  I met you in one of my macaron classes, but how did you get started in your business?

Miriam:  My first business venture was at 10 years of age, decorating cakes after taking a summer class at the local Parks & Recreational department in my area.  My mother enrolled me when she got divorced.  And now we bake together!


Photo:  HartfordMag.com
Jessie:  Did you always want to bake?

Miriam:  I grew up with a love of food but it didn't become a passion until a few years back. 

Kathryn:   How did you find the location for your bakery?  And how many square feet is the bakery? 



Miriam:  I found the location through a family friend.  The bakery is 1,100 square feet. I had saved up quite a bit over the past two years and was able to fund most of it.  We had to take out a small loan as well for our business financing.  I've been very blessed.

Jessie:   You’re very young; when you started the business a year ago, you were 20!  What else is it that differentiates you from other businesses? 
 
Miriam:  The quality of my food and atmosphere of the bakery. 

Kathryn:  You seem to have a pretty clear vision for a general patisserie, from your personal look (retro hairdo), vintage apron collection, business card and photos on Facebook.   The bakery evokes Alice in Wonderland.   How did you develop your vision?

Miriam:   I've loved fairy tales for quite awhile and with my baking business being named Taste by Spellbound, I was able to piggyback off my first business venture (fashion headbands), Spellbound.

Jessie: How many employees do you have?   

Miriam:  There are 2 part time employees who bake with me.  I don't even keep a running log of how much I work.  I just know it's A LOT.  I’m baking, running a business and teaching classes. 




 Jessie: How do you see the role of social media for your business?

Miriam:   It's huge.  Facebook is a major media outlet for the business. I post photos and update my fans daily with what we have in the bakery and fun pictures of all the projects we're working on.  But I also have close to 1,000 followers on Twitter as well.  [Follow Miriam @MiriamHope on Twitter].  And although Twitter is an amazing outlet I think Facebook is still “where it's at.”  You can connect and interact with customers and friends so easily.


Jessie:  Who takes your photographs?

Miriam:  I take all the photos for Facebook and Twitter; I love taking pictures of food.  

Kathryn:  What is the link to the Z100 radio station, and how often do you make an appearance?

Miriam:  I sent Elvis Duran on the Morning Show some of my truffles!  Now I've made 5-6 appearances on Elvis Duran over the past 2 years.

Jessie:  Do you see a spike in internet orders after you're on the radio?

Miriam:  Sometimes yes, sometimes no. But regardless, it refreshes people’s memory about me and the business.

Kathryn:   What advice would you give other entrepreneurs regarding self promotion?

Miriam:   Don't be afraid to put yourself out there and sell yourself. Just keep at it and the fan base will grow.




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Monday, October 29, 2012

From Farmer's Market to Macy's



Interview with Kathleen Escamilla-Hernandez

By Kathryn Gordon and Jeff Yoskowitz of FoodStartUpHelp.com


Kathryn:  Hi Kathleen, you’ve come a long ways since you started at ICE (Institute of Culinary Education) as my student 2 ½ years ago!   We’re very excited. Is it true you just got your first purchase order to sell your Cocoamains macarons at the Macy’s flagship store in Manhattan?



Kathleen:   Yes!  It was interesting to be in the negotiations with such a large customer.  Prior to this, I was selling my macarons and other baked goods at a farmers’ market!   I loved the farm market and meeting my customers directly – but this is a fantastic next step for my business. I do plan though, to continue selling at the farmer’s market in the spring.


Jeff:  You began at a farmer’s market in NJ earlier this year. Can you talk about that process?

Kathleen:  The farmer’s market debut allowed me to pull together my business structure.  When I first started at ICE, I was looking to do something in baking that was creative since I formerly designed children’s wear.   I didn't know precisely what I wanted to do, but I loved pastry and it was a creative outlet from the stress of my former career.  The opportunity to sell on weekends at the farmer’s market came along, and I took the plunge.  I also started to do some dessert catering.   It helps to have a supportive husband, who is also a graphic designer!  At first, I wasn't sure what would sell and I offered pound cakes, madeleines and macarons.  The macarons sold out immediately! 

Process wise, I had to file my LLC, get a trademark, have the website developed, do my Serv Safe certification (which you can do entirely online through www.servsafe.com -- it’s very interesting!), obtain general liability insurance, complete the mandatory paperwork to sell at a farmer’s market, find a commercial kitchen to work in, develop my macaron formula, flavors and prices, buy a tent, and create signage, flyers and business cards!  At that point, I didn’t yet need packaging.  






All summer, I was baking all night, working from 4 am to 2 pm for my regular job, and getting 4 hours sleep.   However, it was a fantastic way to work out the kinks, make money, allow clientele to get to know my product and also allow me to get feedback on my product.

A friend of mine said:  "You don't go to the farmer’s market to make money - you go to promote your product."  But I told him you go to do both or else why bother going if you don't make money?

Jeff:  When do you launch at Macy’s?

Kathleen:  We just opened at Macy’s Cucina and Co. earlier this week.  We gave away free macarons from 11 am until 2 pm!

Currently I am working on my display case – I can create whatever I want in terms of macaron cakes, gift baskets, etc.  It’s a lot of fun.  I like figuring out how to make lacquered display macarons look as realistic and beautiful as the edible ones!


Kathryn:  Originally the Macy’s Department Buyer for Cucina and Co. wanted you to just have fresh, loose “grab and go” macarons available for purchase out of their refrigerated case?  

Kathleen:  Yes, but then a Macy’s Vice President decided that he wanted to offer gift boxes.  There was a bit of going back and forth.  We decided to do both, and now, my custom boxes are being created.  When we open, there will be 2 sizes of macarons available in 8 flavors:  large and Cocoamain’s mini Mac Poppers!  Pre-packaged Cocoamains gift boxes will be available for the holidays which is great, because a lot of people shop at Macy’s and it’s located so conveniently to Penn Station that commuters can pop in and pick up a present!  We’re all hoping that the eye-catching appeal of macarons will do the trick!

Jeff:  What makes your macarons different from other macarons, Kathleen? 

Kathleen:  I respond to my feedback from my customers and offer fresh, accessible flavors.  I have some popular standard flavors (5) and will rotate in (3) others seasonally.   For example, the Macy’s buyer mentioned that she would like to attract customers at breakfast time – and I turned around and gave her my cinnamon raisin twist macaron with cream cheese filling.  It’s absolutely delicious, especially with morning coffee!  So I have flavors that appeal throughout the day to consumers.



Cocoamains offers American theme flavors in appealing colors.   Compared to other macaron start ups, my texture is soft and my flavors are “bumped up.”  The large size fits into someone’s palm in an appealing way like the size of a cupcake.  The mini Mac Poppers are cute, and allows someone to sample all the flavors.



JeffKathleen, where do you do your production?

Kathleen:  I was working in one commercial kitchen in NJ but I am switching to a larger, brand new facility that lets me rent time on a monthly basis.  I just signed that contract.  I had outgrown the freezer space in the first kitchen.

Kathryn:  How will you transport your macarons to Macy’s?



Kathleen:  As an approved vendor, we have a wide range of hours we can unload at the loading dock from even as early as 5 am.  I plan to arrive early to avoid city traffic, and will be able to bring the macarons straight from my commercial kitchen facility up to the refrigerated case at Macy’s Cucina and Co.  

Kathryn:  What’s one of the biggest lessons you learnt between finishing at ICE as a pastry & baking student and becoming an entrepreneur?

Kathleen:   When your instructors tell you to practice piping, they mean it!  On my first day of externship at Bouchon Bakery, I piped their signature Bouchons for 12 hours.  I had recently had a carpal tunnel operation and there was nothing like that much piping to bring back my hand strength.  I will be hand piping my own macarons until I can justify a depositor, since I am now so fast at piping!

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Wednesday, May 23, 2012

Food Photography

Food Photography
Interview by Kathryn Gordon with Expert Food Photographer Steve Legato
Website: www.Stevelegato.com
Email: Steve@Stevelegato.com

Kathryn: Steve, I know you did the beautiful photography for my book, Les Petits Macarons! and everybody loves it, too. What is your background?

Steve: I first was interested in being a documentary photographer actually- that was about 16 years ago -but my first opportunity to photograph for magazines was to shoot food for their restaurant reviews. My passion for photography was immediately fueled with a newly found intrigue and passion for food; there is just so much to know and experience and see; tastes, ingredients, techniques, history, culture, trends, philosophies...  Food is amazing.

Kathryn: Do you specialize in photography for magazines, books, websites, brochures, packaging, etc. or “do it all?”

Steve: I do all of these, and each requires a certain nuance in the way you shoot it. Editorial, websites and such tend to be more cutting edge and creative, whereas packaging and book photography is very exacting and meticulous. I love and enjoy aspects of each.

Kathryn: We visited your studio in Philadelphia for a week to shoot for my book with Running Press. Are all shoots done in a studio? I know that you travel a lot. Are your shoots ever done on site in restaurants and bakeries?

Steve: I've done food shoots in generator rooms, bathrooms, kitchens, dining rooms, rooftops, on my back porch- as well as my studio and on location at restaurants, bakeries. Where ever there is light (an outlet) and a little room, there is a way!

      Steve in his studio lining up a shot for Kathryn and Anne's macaron book


Kathryn: What are the challenges to food photography, particularly to pastry, baking and confections? Do you cringe when you see bad photos of food?

Steve: The challenge is always to describe the food clearly (even if it’s messy!) I want the viewer to quickly understand the food as if they were also present there and took a bite of it…What is the experience of eating this? How does it feel? Dry, moist, tender, crisp- even sweet, savory, salty, bitter, creamy, acidic, hot, cold... I'm trying to portray the sensuality of food, of the experience of eating, the perceptions...

In a purely photographic sense, there is the challenge of composition; to create a flow to an image, a tension, a sense of poetry or beauty; sometimes that's based on just the food itself, sometimes on how elements are arranged within the frame, the focus, point of view, etc.

I do cringe sometimes but more so if I see an indelicacy or indifference in treatment. That might sound strange, but there are parallels in almost any occupation; music, cooking, writing, etc. That being said, a bad picture of an exquisite meal can be a wonderful reminder of that experience- like a post-it note rather than a poem, and I appreciate that as well.

Kathryn: Your studio had a fridge, basic stove, microwave and a freezer, which helped to shoot the ice cream chapter! What kind of kitchen is required to help shoot food? Do you always have to have kitchen facilities available too?

Steve: It's certainly nice to have the tools to create the food you need for the shoot. Think about it like having tools to fix your car, it's easy to have the 3 or 4 things you need to change the oil, but to change the timing belt, well...

The kitchen is the same way. You can get away with a minimal amount of tools and some creativity, but if you’re photographing 50 dishes this week, it indeed takes a full resource of kitchen and culinary tools, and expertise, to get that done and done well.

Kathryn: Do you ever provide the food styling and props, or do clients typically have to provide their own (or hire food and prop stylists)? On some photo shoots I've been on everyone has an assistant, too! The photographer has theirs, the food stylist theirs, and the prop stylist theirs! It can get crowded.

Steve: I usually work together with the client to hire a prop stylist and a food stylist when applicable (cook books, advertising, packaging, etc.) Their contribution to the final image is invaluable. A great food/prop stylist is behind every great food photo!

      One of 3 prop tables set up in the studio for the 5 day cookbook photo shoot

Kathryn: What should clients be prepared with before they enter the studio for a shoot? (What's the worst-story you can think of in terms of “bad food photography” you've encountered?)

Steve: I'd say to just be prepared for the process. It takes great ingredients, talented people, tools, organization and time, especially the time to make it all work well. Mostly I think it’s a fun and interesting experience for the client! (I do remember a chef at a diner wanted to draw grill marks on the “grilled” vegetables with a Sharpie...I talked him out of it, luckily :)  Especially in editorial shoots, you have to be prepared for anything, really in quite a Zen way, you see how you can find, interpret, adapt, and capture the beauty in most anything.

Kathryn: To establish a time frame, how long in advance do people have to schedule a shoot? How long can it take to receive the finished product, now that there are digital support systems?

Steve: It takes time to plan a shoot, procure the ingredients, and hire the necessary crew. For the major project, you can certainly plan a month in advance (even just to give enough notice to avoid scheduling conflicts). For me, I'd say about two weeks are sufficient, but when more people are involved, the more advance you need.

Finished files can be delivered right away -within hours in some rare cases- but most of the time I'd say a few days a week. It does take time to clean up images, to make adjustments such as color balance. I'd say that it's best to be clear with the photographer what your needs (and timing expectations) are- certainly they should accommodate to the best of their ability- we are, in fact, working for you!

Kathryn: On average, is there an average length of time it takes for a shoot? Is the client usually present?

Steve: The time a shoot takes depends...Editorial shoots are often quite quick—a few hours—even with ~12 dishes (as long as the restaurant can create the dishes quickly enough). For a cookbook or other more meticulous photography project, you have props, a set to create, as well as the actual dishes to be made by the food stylist. Typically, I shoot about 6 dishes a day.

The client is typically present to make certain the pictures are being made to their specs/needs. (Note by Kathryn: given the digital editing software, the client can actually see their shots set up in real-time on the screen and at the end of the day help review the progress made by looking at all the photos on the computer).
    Steve's shot of Kathryn's strawberry guava macarons as seen on his editing system

Kathryn: We assume someone of your experience level is expensive. Can you provide any general costs or price ranges (only if possible in this format, of course)!

Steve: Prices vary and depend on a few different things including what type of project, how the pics are used and to what extent, the complexity, and finally associated costs of producing the images. Think of shooting a bowl of soup for a major soup company vs. shooting a bowl of soup for a local diner. Within each level of project, there will be a range of prices that you will find most photographers come in at.

Kathryn: If someone who needs photo cannot (yet) afford an experienced food photographer, and they're trying to do their own photo shoots, do you have any words of advice regarding what kind of lighting generally works best? Any tricks of the trade you could share regarding setting up the food?

Steve: The best trick of the trade is to engage yourself and take a lot of photos. Even if the majority of them are failures, there is a lot to learn from each image. Consider what direction the (main) light source is coming from. Consider if it’s harsh or diffused light, a small source like a light bulb or a large source like a window. How dark are the shadows, how moody? (Shadows define the surface/textures as much as light does, so please do not try to take away all the shadows :)

In a very general way, I try to light food side lit or slightly backlit. If, on a clock face, the camera is positioned at 6 o'clock, the plate of food at the center of the clock, then I'd want the light to be coming anywhere from 9 to 3 o'clock, depending. If the light source is coming from the camera, it tends to rob the dish of any volume, flattening out its surface blandly, filling in any and all shadows (the same goes for overhead light in general).

Try setting the dish near a window and shoot facing towards the window. Then move slightly left or right and see the difference it makes. If shadows are too harsh, set up a piece of white paper or foam core to reflect the light back towards the dish. Vary the distance of the reflector to the dish to change the effectiveness. Try under or over exposing just to experiment.

You'll develop an eye for this, sensitivity and a sensibility over time. Just keep shooting!

Kathryn: That is extremely helpful information, thank you for sharing that. Are there any general comments you'd like to share that we didn't ask about?

Steve: Just like a chef would say, “taste!” I would say, “see!” Food photography is a wonderful thing to be a part of and to experience and be effected by, inspired by. I do believe that a good image makes a difference.



         Kathryn favorite macaron photo from Les Petits Macarons; photo by Steve Legato


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